![]() ![]() 1940 - Paintings by Nicolae Dărăscu, Lucian Grigorescu, Theodor Pallady, Jean Al.Romania was also represented by Ion Andreescu and Nicolae Grigorescu in the International Exhibition of 19th Century Landscape Painting hosted by the Italian Pavilion. Paintings by Georghe Petrașcu, Ștefan Popescu, Eustațiu Stoenescu, Ion Theodorescu-Sion sculptures by Oscar Han, Ion Jalea, Cornel Medrea. Organizer and commissioner: Nicolae Iorga. 1938 - Official inauguration of the Romanian Pavilion.General Commissioner for Romania: Gian Battista Bombardella. Mirea, Dimitrie Paciurea, (Talpoșin Alexandru) Severin, Oscar Spaethe, Frederic Storck. Sculptures by: Constantin Brâncuși, Oscar Han, Ion Jalea, Cornel Medrea, D.D. Steriadi, Eustațiu Stoenescu, Ipolit Strâmbu, Nicolae Tonitza, Nicolae Vermont, Arthur Verona. Moscu, Theodor Pallady, George Petrașcu, Costin Petrescu, Ștefan Popescu, Camil Ressu, Jean Al. Marinescu-Vâlsan, George Demetrescu Mirea, G. Ionescu, Kimon Loghi, Ștefan Luchian, Samuel Mützner, Rodica Maniu, G. Paintings by Ion Andreescu, Marius Bunescu, Cecilia Cuțescu-Storck, Niculina Delavrancea-Dona, Ștefan Dimitrescu, Dumitru Ghiață, Lucian Grigorescu, Nicolae Grigorescu, Doru I. 1924 - Central Pavilion, Rooms XIX and XX.1907 - First participation of a Romanian artist in the Venice Biennale: Frederic Storck.( May 2019) ( Learn how and when to remove this template message) Unsourced material may be challenged and removed. Please help improve this article by adding citations to reliable sources in this section. ![]() This section needs additional citations for verification. Since 1997, the Romanian Institute for Culture and Research in Humanities (also known as Casa Romena di Venezia, based in Palazzo Correr) has hosted intermittently parallel exhibitions representing Romania at the Venice Biennale. The initial architecture was recreated in 2015, albeit temporarily, by architect Attila Kim for Adrian Ghenie's Darwin's Room. It was initially designed as an art salon with three rooms (the main, tall show room being flanked by two smaller ones) and it stayed like that until 1962, when the walls were demolished, uniting the three rooms into one single salon. The interior was planned under the attention of Nicolae Iorga. The buildings, originally allocated to Sweden and Greece, were respectively transferred to Yugoslavia and Romania. The pavilion was designed by Brenno Del Giudice in 1932 and built by 1938 as part of a complex on the Giardini's Sant'Elena Island. Nations without dedicated buildings create pavilions in venues throughout the city. Nations that own their pavilion buildings, such as the 30 housed on the Giardini, are responsible for their own upkeep and construction costs as well. Outside of the central, international exhibition, individual nations produce their own shows, known as pavilions, as their national representation. The Biennale parent organization also hosts regular festivals in other arts: architecture, dance, film, music, and theater. The festival has become a constellation of shows: a central exhibition curated by that year's artistic director, national pavilions hosted by individual nations, and independent exhibitions throughout Venice. Often described as "the Olympics of the art world", participation in the Biennale is a prestigious event for contemporary artists. The Venice Biennale is an international art biennial exhibition held in Venice, Italy. The Romanian pavilion houses Romania's national representation during the Venice Biennale arts festivals. On the other hand, many concessions for the management of important water resources have been granted to corporations.4e leone dell'arsenale 45.434725,12.350059 At the same time, the right to drinking water has been enshrined in the Constitution since 2016 and almost one-fifth of Slovenia's territory is protected in order to safeguard drinking water resources. Forecasts show, however, that with more frequent and more intense extreme weather events, these numbers will continue to grow. Nearly 160,000 Slovenian inhabitants live in flood-prone areas and some 50 to 70 floods of varying sizes affect Slovenia every year. At the same time, water is full of opposites.īecause of water, life in Slovenia is enjoyable and satisfying, but at the same time water represents a particular danger. Water is linked to myriad myths and the subconscious, to thought and creativity, to politics and protest. ![]() Water – from rivers to glacial lakes, waterfalls, torrents, gullies, bogs, disappearing lakes, bays, karst and thermal springs – is one of the most potent and decisive factors determining both Slovenia’s landscapes and its supply of drinking water. Living with water is a daily fact of life in Slovenia, more than it might seem at first glance. ![]()
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